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könyv címe |
In the Tall Grass 2019 |
időtartam |
161 feljegyez |
felmentés |
2019-09-20 |
minőség |
M2V 1080p
VHSRip |
műfaj |
Horror, Drama, Thriller |
nyelv |
English |
castname |
Edgar
D.
Ashana, Lyman E. Areeha, Korbin A. Maria |
In the Tall Grass 2019 Online Teljes Mese
FilmteamCoordination art Department : Teymour Bedelia
Stunt coordinator : Kamelia Neyah
Script layout :Elada Beasley
Pictures : Tourpe Atifah
Co-Produzent : Benicio Gaétan
Executive producer : Eliakim Steeven
Director of supervisory art : Zoyah Karen
Produce : Pinneau Chloey
Manufacturer : Maurin Denim
Actress : Lili Mavrick
After hearing a child screaming for help from the green depths of a vast field of tall grass, Becky, a pregnant woman, and Cal, her brother, park their car near a mysterious abandoned church and recklessly enter the field, discovering that they are not alone and because of some reason they are unable of escaping a completely inextricable vegetable labyrinth.
5.4
818
Film kurzSpent : $944,399,898
Income : $326,352,568
category : Horror - Neuseeland , Fotografie - Weisheit , Film Animation - Poetry , Erziehung - Werbung
Production Country : Marshallinseln
Production : Toro Media
In the Tall Grass 2019 Online Teljes Mese
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“In the Tall Grass” is a Netflix film based on a short story/novella written by Stephen King and his son Joe Hill. A little disclosure that I have not read the original story, so I can’t attest as to how faithful this film is, so I’ll be looking at the movie on its own merits, as few as they may be.
We start with two siblings, Cal and a pregnant Becky who are travelling through Kansas (a plus here is that we have a story from Stephen King that does not take place in Maine) when they pull over to the side of the road when Becky gets morning sickness and they hear a boy calling for help from the tall grass field on the side of the road. They get separated from each other and realize that something weird is going on, that travelling in one direction doesn’t necessarily mean travelling in that direction and time is out of joint. Others that they meet in the field are Ross, played by Patrick Wilson, his son Tobin, his wife Natalie, and Lisa’s ex-boyfriend Travis.
Alright, so as more disclosure here, I filled in the names of these characters after looking them up. I honestly could not remember their names, that’s how much of an impression they left on me, with the possible exception of the boy because when we first see him he comes off really creepy. I mean, really, it’s not so much that you want any characters to die because they’re irritating. They’re just so cookie-cutter and stereotypical that they leave little to no lasting impression.
Another reason for this is that the audience can be a little too distracted by the grass itself. It does have a certain character to it, even if it’s nearly impossible to figure out. But I found myself distracted trying to figure out the grass, how it works, its motivations, at the expense of the human characters.
And here is where we run into another problem. Because most of the set looks the same, that being in the middle of a tall grass field, the filmmakers need to rely on a series of technical and visual gimmicks to keep the audience interested and focused. But they’re inconsistent and stand out when they use them (for example, one consistent shot that is a 360 degree rotation). They don’t feel natural. You see the gimmick instead of what the gimmick is trying to show you, although that’s arguable as they’re clearly proud of some of these visual effects. In addition, this being a horror movie, there are going to be jump scares, but jump scares are just about all there is for this horror movie.
The conclusion is pretty meh and isn’t really consistent with other parts of the movie from what we learn plotwise. All around, if you’re really a Stephen King or Joe Hill fan and have nothing else to watch, go ahead, but for most people I would say not to bother.
In The Tall Grass is overgrown with flimsy dialogue and a premise that needed landscaping. Stephen King seems to have an endless amount of material to adapt. So much so, that his son is mimicking the footsteps of his father by also writing horror-related fiction. When the two generations joined together to write a novella on a mysterious field, it should’ve harked back to King’s legacy as the legendary writer he once was. Sadly though, despite the faithfulness to the source material, it’s yet another King story unable to translate comprehensibly into a full-length feature. Two siblings, with one six months pregnant, stop outside an old church and venture into an endless field of tall grass when they hear a child yearning for help. This field however is enshrouded with a mysterious force that prevents anyone who enters from leaving, and so the two must survive the oddities of the tall grass before “something” or “someone” endangers them.
Massive ‘Triangle’ vibes from this story, except its conceptual complexities are less innovative and more mundane. Past, present and future selves are lurking within the swaying echoes of the tall grass, conveniently outlining the rules and boundaries of the field’s power. “The grass won’t move dead things” states an embattled young boy, whom had been lost for days. “The rock is the way out!”. Paradoxical in nature, this story had the capacity to be both atmospheric and tense, given the frustratingly claustrophobic environment. Alas, was not meant to be. Despite Wrobleski’s stunning cinematography that encapsulated the natural order of the field through stylised motion, particularly when visualising the field to be a living entity of its own, Natali’s one-dimensional screenplay forced certain characters actions and personalities to be questionably dull.
The extent of characterisation can only be surmised by the pitch at which they shout for each other. For example, Cal continually shouting “Becky? Becky? Becky with the good hair!?” is the maximum capacity at which we feel for his character. Becky then shouts for “Cal!”. Travis waltzes on in and shouts for “Becky?” and “Tobin!”. Ross is just shouting at himself about real estate. His wife is the most expendable individual with nearly zero lines (shouting included!). And the dog had more screen presence than the majority of characters. The dialogue felt inorganic, starkly contrasting the entire premise. Yes, the performances were all functional with what the actors were given, although Wilson as always goes above and beyond. But it’s not enough to carry a supernatural mystery that seeks to explain everything almost immediately. Unable to classify it as a horror, considering there was no legitimate threat/tension, although some eye-wincing gore was well-utilised.
The third act commences and the plot’s lunacy ramped up from confusion to diabolically non-sensical. Without spoiling it, stuff happens near a rock that resembled an incarnate of King’s worst tendencies in fictional writing. Unnecessary “creatures” are added into the mix, ironically adding nothing to the story. Then, as all films featuring time loops end, the characters miraculously close the loop before it even happened. So, what’s the point? Did they honestly learn anything from this ordeal to which they hadn’t actually experienced? Urgh.
It’s abundantly clear that Natali was unable to stretch King’s novella into a feature-length film, despite being a faithful adaptation. The technical excellence was dimmed by flimsy writing and limited characterisation that forced this supernatural mystery to be anything but mysterious. This is why we should all purchase a portable lawnmower, you never know when you’ll be stuck eternally in a field with a giant ancient rock in the middle...
Patrick Wilson is just all-out balls-to-the-wall hamming it crazy, and I am Here. For. That. I say that quite genuinely. But Stephen King adaptations have had quite the resurgence (in a good way) over the past couple of years, and _In the Tall Grass_ just really doesn't hit that bar we've been getting recently. In terms of quality, I mean.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Ruandai népirtás – Wikipédia ~ Elefántfű In the Tall Grass egy 2001ben készült amerikairuandai dokumentumfilm a népirtás utáni Ruanda egyik áldozatáról a gyilkossággal vádolt szomszédjáról és a helyi gácsácsáról John Bosco Ruandája dokumentumfilm 1994 MTV
Stephen Kingadaptációk listája – Wikipédia ~ 2019 In the tall grass Netflix Sorozatok 1991 Az aranykor Golden Years eredeti forgatókönyv 2002–2007 A holtsáv The Dead Zone 2004 A félelem kórháza Kingdom Hospital Lars von Trier A birodalom című sorozata alapján 2010–2015 Haven 2013–2015 A búra alatt Under the Dome 2016 112263 112263
Scott Wilson – Wikipédia ~ Mesebeli vadnyugat Tall Tale 1995 A fűhárfa The Grass Harp 1995 Ments meg Uram Dead Man Walking 1995 Csavargó kutya Shiloh 1996 A mi Urunk testvére Our Gods Brother 1997 G I Jane 1997 Agyaggalamb Clay Pigeons 1998 Csavargó kutya 2 Shiloh 2 Shiloh Season 1999 Kelet vadnyugat South of Heaven West of
SzerkesztőJeff G – Wikipédia ~ A nice family which stood in a plot of tall grass plantings on a farm in central Iowa on 31 August 2010 at 0933 as viewed by the camera of a United States Department of Agriculture employee taken or made as part of that persons official duties
Vesszős köles – Wikipédia ~ Előfordulása A vesszős köles előfordulási területe É elterjedése a kanadai 55ös szélességi körtől délre az Amerikai Egyesült Államok nagy részén keresztül egészen Mexikóig terjed Az északamerikai prérik egyik legfőbb füve Megjelenése Ez a fű igen hatalmas gyöktörzses gyökérrendszerrel rendelkező évelő növényfaj
Patrick Wilson – Wikipédia ~ Patrick Joseph Wilson Norfolk Virginia 1973 július 3 – amerikai színész énekes Pályafutásának elején 1995től Broadway musicalekben lépett fel Két alkalommal jelölték Tonydíjra az Alul semmi 2000–2001 és az Oklahoma 2001 című művekkel 2003ban szerepelt az Angyalok Amerikában című HBOminisorozatban mellyel Golden Globe és Primetime Emmy
Tom Jones énekes – Wikipédia ~ A műsor adása során Jones a legidősebb zsűritagként olyan dalokat adott elő mentor és csapattagjaival mint többek között a Beautiful Day Hit the Road Jack Rip It Up Johnny B Goode Shout Long Tall Sally Games People Play Breakeven Get Lucky és az I Gotta Feeling A BBC 15 ezer fontot fizetett az énekesnek hogy a műsor
Joe Hill író – Wikipédia ~ Élete Joseph Hillstrom King Stephen és Tabitha King középső gyermekeként nőtt fel a Maine állambeli Bangorban Nevét Joe Hill 1879–1915 svéd születésű amerikai dalszerző után kapta Az egyetem elvégzése után kezdett írni de nem saját hanem művésznéven hogy ne azonnal asszociáljanak a neve kapcsán világhírű édesapjára aki szintén író
Natalie Wood – Wikipédia ~ Ebben a szerepében már a felnőtt tehetséges lányt mutatták nem pedig a kislányt 25 éves korára háromszor jelölték Oscardíjra Rebel Without a Cause Ok nélkül lázadó Haragban a világgal Splendor in the Grass Ragyogás a fűben és a Love With the Proper Stranger Szerelem a megfelelő idegennel című filmekben
A Pokémon epizódjainak listája – Wikipédia ~ Ez a Pokémon ポケットモンスター Poketto Monsutā Pocket Monsters animációs rajzfilmsorozat epizódjainak listája Az évadok elosztása a különböző főcímvideók szerint van A magyar epizódok leadási sorrendje E az amerikai televíziók vetítései szerint van sorszámozva
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